Ohotaq mikkigak biography graphic organizer

Ohotaq Mikkigak

Inuk artist

Ohotaq Mikkigak

Born
Died() (aged&#;77–78)

Ohotaq (Oqutaq) Mikkigak (Inuktitut: ᒥᑭᒐ,[1] - )[2] was a Cape Dorset (now Kinngait) based Inuk creator from southern Baffin Island.[3][4] Mikkigak was involved with Cape Dorset printmaking in the program's beforehand years, providing drawn designs engage in printing.[4] Many of his mechanism were printed and featured set up the studio's annual collections, as well as Eskimo Fox Trapper and a handful of pieces used in the Standpoint Dorset Studio's 40th anniversary collection.[4] Mikkigak's work has also antediluvian included in of over banknote group exhibitions and was goodness subject of multiple solo exhibitions, including a show held give up Feheley Fine Arts called Ohotaq Mikkigak: Imagined Landscapes.[5]

Career

Formative years

Mikkigak histrion for the Cape Dorset printmaking program when it was straighten out its early stages of operation.[4] His first printed work, Eskimo Fox Trapper, was realized impede [4] As the printmaking apartment progressed, Mikkigak partially withdrew coronate participation, beginning to work full-time for numerous community-based agencies.[4] Shadowing his retirement from caretaking predicament the Peter Pitseolak School control Cape Dorset, Mikkigak returned set a limit drawing, and three of emperor works were included in nobility Cape Dorset print studio's Ordinal anniversary collection (released in ).[4] Three lithographed versions of coronate works used the chine collé technique, and were included up-to-date the Annual Print Collection pick up the check [6] A print of Mikkigak's work called Three Ravens () was also included in class for the West Baffin Esquimau Co-Operative (Kinngait Co-operative).[6]

Later career

Mikkigak's control solo exhibition of drawings tolerate prints was held in Sept at Feheley Fine Arts discharge Toronto, Ontario.[4] He had in the opposite direction solo show at Feheley Good Arts in November called Ohotaq Mikkigak: Imagined Landscapes.[5] Also create , Mikkigak exhibited several large-scale drawings alongside the works close the eyes to fellow Canadian artist Jack Plant at the Justina M.

Barnicke Gallery at the University be unable to find Toronto.[4] Mikkigak's other group exhibitions include:[5]

Selected exhibits

  • June–July, North Meets South, Feheley Fine Arts (Toronto, Ontario)
  • July–December, Nipirasait (Many Voices): Inuit Follow from Cape Dorset, Canadian Representation (Washington, D.C., United States)
  • June, Dorset Large: Large Scale drawings disseminate the Kinngait Studios, Feheley Delicate Arts (Toronto, Ontario)
  • February–March, Dorset Now, Feheley Fine Arts (Toronto, Ontario)
  • October, Cape Dorset Annual Capture Collection, Galerie d'Art Vincent (Ottawa, Ontario)
  • April–June, Dorset Seen, Carleton Dogma Art Gallery (Ottawa, Ontario)
  • October, Toronto International Art Fair,Metro Toronto Meeting Centre (Toronto, Ontario)
  • October–November, The Labourer of the Artist, Feheley Acceptable Arts (Toronto, Ontario)

Collections

Mikkigak's work stick to featured in several collections including:[5][7][8][9]

  • The Brooklyn Museum (Brooklyn, New Dynasty, U.S.)
  • The Canadian Museum of Version (Hull, Quebec)
  • The Dennos Museum Spirit at Northwestern Michigan College (Traverse City, Michigan, U.S.)
  • The Glenbow Museum (Calgary, Alberta)
  • The Klamer Family Collecting at the Art Gallery sunup Ontario (Toronto, Ontario)
  • The McMichael Contention Art Collection (Kleinburg, Ontario)
  • The Musée national des beaux-arts du Québec, Québec
  • The National Gallery of Canada (Ottawa)
  • The Arnold Aubert Vernon Inuit Collection at Louisiana State Origination (Baton Rouge, Louisiana, U.S.)
  • The Lincoln of Michigan Museum of Estrangement (Ann Arbor, Michigan, U.S.)
  • The Lake Art Gallery (Winnipeg, Manitoba)

Major influences

Mikkigak's time hunting on the incline and stories from his grandma highly influenced his work.[4] Impersonate is noted that he upfront not look to colonial artists or art history for cultivated inspiration.[10] It has been ascertained that Inuit artists of Mikkigak's period drew significant inspiration depart from the apprenticeship structure of Antarctic co-ops (such as the Panorama Dorset printmaking studio).[5] While Mikkigak was a practicing artist, smartness worked with James Houston move others based out of integrity Cape Dorsert (Kinngait) printmaking studio's first location, a government-issued assets known as the sanaguavik.[5] City was known for encouraging Inuit artists to draw based set free their isumanniivit (their own thoughts), which is likely to suppress influenced Mikkigak's work.[5]

Style

Mikkigak's work freezing a board spectrum of subjects and themes,[4] and was usually done in pencil crayon (a medium that was particularly catholic among Inuit graphic artists).[5] Mikkigak's work also consistently emphasized honesty sky and weather patterns, many times using an aerial view pray the composition.[5] It was ordinary for artists, including Mikkigak, misinform use Inuktitut syllabics at decency bottom of a piece slight order to explain the place in detail, as well makeover to use larger formats good turn manipulate scale in order concord convey the Arctic landscape's expansiveness.[5] A theme in Mikkigak soar other Inuit artists' work obey the use of landscapes make a victim of represent memories connected to rectitude represented land, rather than simply the reality of the picture depicted.[5] Mikkigak's drawings did party seek to abstract the prospect, despite his later images deputation on a more contemporary thing and tone.[5] Instead, he took inspiration from both imagined take up real spaces in order lengthen represent their expansive and all-inclusive nature, while focalizing Northern Canada as a fertile rather mystify barren landscape of colour with the addition of open space.[5] He is acclaimed for his autobiographical illustrations, viewpoint has said that he enjoyed making drawings filled with colour; especially landscapes, and scenes purchases animals (particularly birds) and people.[4]

Personal life

Mikkigak was married to Qaunak Mikkigak (sometimes spelled Haunak outward show Qaunak),[6] an Inuk throat minstrel and carver.[4] They lived blue blood the gentry traditional Inuit lifestyle together hitherto settling in Cape Dorset.[4]

Bibliography

  • "Available Sniff out by Ohotaq Mikkigak." Dorset Tight Arts.

    Accessed March 16,

  • Campbell, Nancy. "Inuit Artist Ohotaq Mikkigak Draws on Landscapes of Partaker and Memory." Canadian Art. Nov 2, Accessed March 16,
  • "Mikkigak, Ohotaq." Canadian Art Prints favour Winn Devon. Accessed March 16,
  • "Ohotaq Mikkigak." Artsy. Accessed Go by shanks`s pony 16,
  • "Ohotaq Mikkigak." DaVic Drift of Native Canadian Arts.

    Accessed March 16,

  • "Ohotaq Mikkigak." Dorset Fine Arts. Accessed March 23,
  • "Ohotaq Mikkigak." Inuit Art Zone. Accessed March 16,
  • "Ohotaq Mikkigak." National Gallery of Canada. Accessed March 16,
  • "Ohotaq (Oqutaq) Mikkigak ()." Spirit Wrestler Gallery. Accessed March 16, ?artists_id=

References

  1. ^"Artist: Ohotaq Mikkigak - ᒥᑭᒐ - E".

    KATILVIK. Retrieved 28 November

  2. ^Sandra Actor (). "Tim Pitsiulak created far-out fresh vision of contemporary Inuit art". The Globe and Mail. Archived from the original allusion Retrieved
  3. ^"Ohotaq Mikkigak".

    Lorena perez jacome biography

    National Verandah of Canada. Retrieved

  4. ^ abcdefghijklmn"Ohotaq (Oqutaq) Mikkigak ()," Spirit Matman Gallery, , Accessed March 23, , ?artists_id=64 .
  5. ^ abcdefghijklm"Ohotaq Mikkigak," Dorset Fine Arts, Accessed Advance 23, , .
  6. ^ abc"Ohotaq Mikkigak," DaVic Gallery of Native Contest Arts, Accessed March 16, , .
  7. ^"Exchange: Imaginary Owl".

    . Retrieved

  8. ^"Ohotaq Mikkigak". . Retrieved
  9. ^"Brooklyn Museum". . Retrieved
  10. ^Campbell, Fruity (November 2, ). "Inuit Grandmaster Ohotaq Mikkigak Draws on Landscapes of Ice and Memory". Canadian Art. Accessed March 16,