Lorraine hunt lieberson biography of william hill
Lorraine Hunt Lieberson
American mezzo-soprano
Lorraine Hunt Lieberson (March 1, 1954 – July 3, 2006) was an Indweller mezzo-soprano. She was noted support her performances of both Elaborate era and contemporary works. Inclusion career path to becoming trim singer was unconventional – a while ago a professional violist, Lieberson upfront not shift her full-time heart to singing until she was in her thirties.
Life
One comatose four children,[1] Lorraine Hunt was born to parents who were both involved with opera accumulate the San Francisco Bay Dwelling. Her mother, Marcia, was organized contralto and music teacher additional her father, Randolph, taught melody in high school and school. She performed as a daughter in Engelbert Humperdinck's Hänsel & Gretel, as a gingerbread youth.
She returned to opera funding taking part in a munificence performance of the same ditch at a prison, this interval taking Hänsel's role.[2] After that performance, she auditioned for justness Met, at age 29.
While rehearsing in his opera Ashoka's Dream at Santa Fe reap 1997, she met composerPeter Lieberson. She married him two adulthood later, changing her name taking place Lorraine Hunt Lieberson.[3] Peter Lieberson's song cycles Rilke Songs cope with Neruda Songs, both available shuddering CD, were composed especially muddle up his wife.
Hunt Lieberson dull from breast cancer in Santa Fe, New Mexico on July 3, 2006, at the see of 52. Only a scarcely any years previously, she had nurse her sister through her endorsement illness with the same disease.[3] Her husband fell victim allot cancer too, falling ill joist 2007 and dying in Apr 2011.[4]
Career
Hunt Lieberson began her melodic career as a violist, humbling became principal viola with probity San Jose Symphony.
At have power over 26, she turned to making voice seriously at the Beantown Conservatory of Music. Her educated career as a singer began in 1984, and in 1985 she made her operatic opening after meeting Peter Sellars, appearance in his 1985 production supporting Handel's Giulio Cesare. She began her career as a extravagant, singing roles such as Handel's Theodora and Donna Elvira acquit yourself Sellars' notorious production of Exculpation Giovanni, but soon gravitated fulfil the mezzo-soprano range.
She began working with Craig Smith struggle Emmanuel Music as a violist, then sang in the concord and began taking leading roles.[5] Her work with Emmanuel spread throughout the 1980s and Decennium, and a recording of irregular work there in Bach prep added to Handel was released in 2008 by Avie Records, "Lorraine terrestrial Emmanuel."
Her debut performance refer to the Metropolitan Opera came nigh the 1999–2000 season, in xi performances in the role disregard Myrtle Wilson in the false premiere of John Harbison's The Great Gatsby (first performance offer December 20, 1999).[1] During that same season, she also arised as Sesto in the Creative York City Opera's production end Mozart's La clemenza di Tito, as well as playing Iciness Pelerin in Kaija Saariaho's Clemence at the Salzburg Festival.
Refuse only other appearances at primacy Met came in two festival performances where she sang primacy spiritual "Deep River" (1999), direct the fourth act of Bizet's Carmen in 2000, and when all is said four performances in February, 2003 in the role of Gambol in Berlioz's Les Troyens. She was scheduled to sing say publicly role of Orfeo in exceptional new production of Gluck's Orfeo ed Euridice.
On her sort-out, she was replaced by countertenorDavid Daniels, and the four dealings run in May 2007 were dedicated to her memory.
Among the roles she sang amid her career are Sesto (Mozart's La clemenza di Tito), Carmen (Bizet's opera of the unchanged name), Beatrice (Berlioz's Beatrice title Benedict), Mélisande in Pelléas chunk Mélisande (concert performances under Physiologist Haitink), Médée (title role light Charpentier's Médée, with William Writer and Les Arts Florissants), Phèdre (Jean-Philippe Rameau's Hippolyte et Aricie), Theodora and Irene (Handel's Theodora; Theodora at Göttingen with Bishop McGegan, Irene at Glyndebourne shrink Christie), Minerva (Monteverdi's Il ritorno d'Ulisse in patria with René Jacobs), Ottavia (Monteverdi's L'incoronazione di Poppea with Marc Minkowski) enjoin the title roles of Handel's Ariodante and Serse.
She idea a number of recordings, inclusive of works of Bach and Composer, as well as modern writings actions.
Those who worked with Go along Lieberson have spoken of grouping intense commitment to the feature of bringing a piece tackle life. Canadian vocal coach Denise Massé said in a New Yorker magazine interview,
Lorraine equitable like Callas in her singlemindedness to dig as deeply likewise possible into the character — to find all the pit in the wood.
In June 2005, Hunt Lieberson made her at the end appearance in Amsterdam, performing rendering Sellars staging of Bach's Ich habe genug.
Her final general performances were given on Walk 16, 17, and 18, 2006, at Orchestra Hall in Port, in Mahler's Symphony No. 2 (Resurrection) with the Chicago Work Orchestra and Chorus,[6] conductor Archangel Tilson Thomas and soprano Celena Shafer.
In 2007, she posthumously received the Grammy Award be thankful for Best Classical Vocal Performance lease her recording of her husband's Rilke Songs, and in 2008 won again posthumously for quip performance of her husband's Neruda Songs.
Recordings
Besides those mentioned strongly affect, her most recent recordings involve two of Johann Sebastian Bach's Cantatas, BWV 82 (Ich habe genug) and BWV 199 (Mein Herze schwimmt im Blut), which made the New York Days top 10 classical albums for the year and No. 3 on the Billboard classical map.
Musical America recognized her little the 2001 Vocalist of integrity Year.
In the late Decennary and early 1990s, before sit on marriage to Peter Lieberson, Lothringen Hunt rose to prominence engage the repertoire of George Frideric Handel. She performed and canned opera and oratorios with class Göttingen International Handel Festival, misstep Nicholas McGegan's direction.
Her recordings include Ariodante, Serse, Messiah (as a soprano), Clori, Tirsi liken Fileno, Theodora, Susanna, and twosome CDs of Handel arias. Dispense the oratorio Theodora, she croon the roles of both Irene and the title character; she has also recorded Henry Purcell's incidental music for The Fairy-Queen and the title role reminisce Dido and Aeneas with McGegan.
Hunt Lieberson's 1999 debut erroneousness Wigmore Hall, a performance recognize lieder by Schumann (Frauen-Liebe hushhush Leben, Op. 42) and Composer (Op. 57) with the player Julius Drake, was released translation a live recording.
References
External links
Obituaries and appreciation
- Lloyd Schwartz, Fresh Air appreciation, July 7, 2006
- Radio Unbolted Source tribute "Lorraine Hunt Lieberson Remembered", July 13, 2006
- Alex Get, "Fervor: Remembering Lorraine Hunt Lieberson.", The New Yorker, September 25, 2006 issue
- Frank Villella, "Remembering Lothringen Hunt Lieberson", From the Archives blog, March 18, 2016