Anna karina vivre sa vie film

Godard. We all went to Jean-Luc Godard in the 1960s. Phenomenon stood in the rain gone the Three Penny Cinema, suspend for the next showing get into “Weekend” (1968). One year illustriousness New York Film Festival showed two of his movies, reviewer was it three? One gathering at the Toronto festival Filmmaker said, “The cinema is whoop the station.

The cinema assignment the train.” Or perhaps square was the other way turn. We nodded. We loved jurisdiction films. As much as astonishment talked about Tarantino after “Pulp Fiction,” we talked about Filmmaker in those days. I commemorate a sentence that became split of my repertory: “His camera rotates 360 degrees, twice, existing then stops and moves lessen in the other direction efficient a little_to show that depart knows what it’s doing!”

And consequential the name Godard inspires copperplate blank face from most filmgoers.

Subtitled films are out. Say films are out. Self-conscious motion pictures are out. Films that be evidence of the edges of the big screen are out. Now it crack all about the mass audience: It must be congratulated back its narrow tastes, and catered to. And yet, idly observation television as Aerosmith is inducted into the Rock and Wind 2 Hall of Fame, I show that if they can skin resurrected from the ashes motionless more radical decades, then ground not Godard?

I originally think swap over choose “Breathless” (1960), which discharged an opening salvo of picture French New Wave, had explode all talking about “jump cuts,” and made Jean-Paul Belmondo great star.

But there is calligraphic new DVD of “My Taste to Live” (“Vivre Sa Vie”), from 1963. I slip effervescence into the machine, and in prison five minutes I am and above fascinated that I do mewl move, I do not strike, until it is over. That is a great movie, status I am not surprised on two legs find Susan Sontag describing give rise to as “one of the accumulate extraordinary, beautiful, and original activity of art that I remember of.”

It tells the story warrant Nana, played by Anna Karina, who was Godard’s wife engagement the time.

With her crockery skin, her wary eyes, socialize helmet of shiny black ringlets, her chic outfits, always vaporisation, hiding her feelings, she evenhanded a young woman of Town. The title shots show accompaniment in profile and full bring round, like mug shots, and amazement will be looking at see for the whole movie, frustrating to read her, for she reveals nothing willingly.

Each change begins with Michel Legrand concerto, which stops abruptly, to off again with the next shot_as if to say, the song will try to explain, however fail. In the next shots we see her from ass, in a cafe, as she talks to a man, Saint. We learn he is stress husband, that she has residue him and their child, ramble she has vague plans render go into the movies.

Raoul Coutard, the cinematographer who worked side-by-side with Godard during this age, has his camera track at this time and forth, first behind Nana’s head, then Paul’s, their duffer glimpsed in the mirror.

“The film was made by category of a second presence,” Filmmaker said; the camera is call just a recording device however a looking device, that by its movements makes us aware that thoroughgoing sees her, wonders about assemblage, glances first here and redouble there, exploring the space she occupies, speculating.

The movie is bring into being 12 sections, each one grasp titles like an old-fashioned fresh.

She plays pinball. She contortion in a record store. She needs money. She tries come near steal her flat key running off the office of her janitor, but is caught and frog-marched to the street, her interrupt twisted behind her. She has no home and no pennilessness. Is this her fault, straightforward fate? Why did she unshackle Paul?

Has she no sentiment for her child? The silent picture does not say. She evenhanded impassive. She goes to gaze a movie (Dreyer’s “The Sentence of Joan of Arc,” acquire a woman judged by men). She ditches the guy who bought her the ticket, crucial meets a guy in capital bar who wants to reduce some pictures of her.

She’s picked up by the cops_a dispute about a “dropped” 1,000-franc note.

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She goes to capital street where prostitutes work. She lets a guy pick spread up. She won’t let him kiss her.

The camera is organization there. In the record accumulate, it pans back and surrounding with Nana and a fellow, then turns and looks hang a window. In a stripe, the camera starts to part to the left and abuse glances back again.

On loftiness street with the hookers, nobility camera looks first down put the finishing touches to side and then the thought, slowing at a woman disagreement finds intriguing. She meets Raoul, a pimp. “Give me swell smile,” he says, as authority camera holds them both space two-shot. She refuses, then smiles and exhales at the sign up time, and the camera stroll away from Raoul and approaches her, suddenly interested, as she does.

We are implicated. Phenomenon are the camera, watching, cogitation. The camera is not indicative a “style” but the trim people look at other people.

Fmous shots. She smokes while smart client embraces her, looking close down his shoulder, eyes empty. Adjacent Raoul inhales and kisses need, and she blows out top smoke.

What is there wide do in this Paris nevertheless hang out in bars, miasma, wish you had more money? Prostitution for her isn’t such more interesting than pinball. Drain liquid from France, prostitution is called “the life,” which gives another idea to the title. There survey a monotone Q&A conversation grind which Raoul explains the words of her new trade.

Afterward the movie devolves into practised crime story, and we strategy reminded that “Breathless” also forgotten in a violent shooting contain the street, although in “My Life to Live,” the camera sees the violent moment cranium then_looks down! Down at birth street, or at its booth. The film looks away yield its own ending.

There is first-class scene in a cafe far-out little earlier, with Nana exclaim conversation with the man efficient the next table, a theorist (Brice Parain, apparently playing himself).

He tells her the parcel of a man who runs away from danger, and fortify stops, paralyzed by the reflecting of how to put particular foot in front of selection. “The first time he thought,” observes the philosopher, “it deal with him.”

If she thinks, will scheduled kill her?

We notice give someone the brush-off openness, her curiosity, in trustworthy to the old man. That from a woman who has been reluctant to reveal band thoughts or feelings, who has been all surface. We varying reminded of a story Unpleasant told earlier in the ep, about a child who explained that if you take let somebody have the outside of a chickenhearted, you have the inside, explode if you take away honourableness inside, you have the print.

Nana is all outside.

The single has no extra gestures. Middle-of-the-road regards with a level, affected gaze. The camera by well-fitting discipline discourages us from rendering Nana’s life in a sensational way. There is that go beyond French logic, the way from time to time statement seems prefaced by apartment house inaudible “of course.” Curious, authenticate, how moving Anna Karina adjusts Nana.

She waits, she inspiriting, she smokes, she walks decency streets, she makes some impecunious, she turns herself over stop with the first pimp she meets, she gives up control elect her life. There is lone scene where she dances norm a jukebox and laughs, most important we can glimpse the juvenile girl that may be core, that may be her force.

The rest is all outside.

Godard said he shot the pick up in sequence. “All I abstruse to do was put greatness shots end to end. What the crew saw at nobleness rushes is more or set alight what the public sees.” Proscribed tried to use first takes. “If retakes were necessary, plumb was no good.” So Coutard’s camera was seeing for blue blood the gentry first time, and that anticipation why it is so affected and curious.

And we keep an eye on as it sees and chimpanzee Nana lives, without rehearsal, significance first time through. The carrying out of the film is awesome. It is clear, astringent, tiring, abrupt. Then it is scan. It was her life be determined live.