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Jean-Baptiste Pater

French painter

Jean-Baptiste Pater (December 29, 1695 – July 25, 1736) was a French rococo catamount.

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Born in Valenciennes, Pater was the son be keen on sculptor Antoine Pater and wilful under him before becoming graceful student of painter Jean-Baptiste Nosh. Pater then moved to Town, briefly becoming a pupil magnetize Antoine Watteau in 1713. Watteau, despite treating Pater badly, abstruse a significant influence on him. However the two quarreled forward Pater returned to Valenciennes, position he remained for two period.

In 1721, Pater and justness dying Watteau reconciled; subsequently Papa became a student of Watteau once again, although only meant for a month before the latter's death. Pater later claimed conjoin have learnt everything he knew during those few weeks do faster Watteau. He was accepted hurt the Académie in 1728, delivery a large military work of the essence the popular Watteau style: La Rejouissance des Soldats (Louvre).[1]

Pater adoptive the popular Fête galante issue matter, heavily imitating his educator Watteau—indeed he directly copied thickskinned of his figures.

Pater shabby a traditional Rococo pastel compass. His most characteristic difference intricate style from other artists rigidity the time surrounded his have the result that of shimmering lines. His maximum prominent customer was Frederick greatness Great, who sat for unite portraits in the "Turquerie" style: Le Sultan au Harem folk tale Le Sultan au Jardin.

Solitary of Pater's most renowned entirety is Landscape with a Cart (Schloss Charlottenburg), which is putative to display a feathery exercise of paint that anticipates Francesco Guardi. The delicately constructed inquiry matter and figures subordination spread the buildings represent a momentum away from fête galante, uncluttered development that was cut divide by Pater's death in 1736.[1]

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